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As part part of the restructure, Mamiya stopped producing 35mm cameras and terminated a number of its medium format offerings (such as the Rapid Omega).Īfter that, Mamiya continued as a specialized medium format camera maker, with new 4.5圆 SLR models beginning with the M645 Super from 1985, new versions of the RB67, RZ67 and Mamiya C, the new Mamiya 6 6×6 format rangefinder from 1989 and its successor the Mamiya 7 6×7 rangefinder from 1995.
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Mamiya made a last attempt towards the amateur market at the end of the 1970s with some rangefinder and point and shoot 35mm cameras, together with their continuing series of 35mm SLRs, but following the collapse of its international distributors, the company went bankrupt in 1984.
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The RB67 Professional 6×7 SLR in 1970, the Mamiya M645 4.5×6 SLR in 1975 and the RZ67 Professional 6×7 SLR in 1982 confirmed Mamiya's orientation towards the medium format professional market. Mamiya dropped the 35mm rangefinders around the mid 1960s, and the range at the end of the 1960s was formed by the Press, the Mamiya C and the 35mm SLRs. The same year Mamiya introduced the Mamiya Press, a medium format press camera inspired by some Linhof models. The first Mamiya 35mm SLR was the Prismat, launched in 1960. In 1957 Mamiya introduced two innovative designs, the Magazine 35, a 35mm camera with interchangeable backs, that only met a limited success, and the Mamiyaflex C, a 6×6 TLR with interchangeable lens pairs, that would be the first of a long series. The last Mamiya Six version appeared in 1958.
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In 1950, the company name was changed to Mamiya Kōki Kabushiki Kaisha (マミヤ光機㈱, Mamiya Optical Co., Ltd.). Together with the Mamiya Six, these four series were the basis of the Mamiya range throughout the 1950s. Setagaya Kōki was again merged into Mamiya Kōki in 1963.įrom 1948 the Mamiya range became more diversified, with the introduction of the Mamiyaflex series of 6×6 TLRs in 1948, the Mamiya 35 series of 35mm fixed lens rangefinder in 1949 and the Mamiya 16 series of 16mm film subminiature cameras in the same year.
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The name Sekor that appears on most Mamiya lenses comes from Setagaya Kōki, with r probably for renzu (レンズ, lens). (世田谷光機㈱), making the shutters and lenses. In 1950, the Setagaya plant became the depending company Setagaya Kōki K.K. Mamiya began to make its own Stamina shutters and Neocon ('new con ) lenses from 1947 in the Setagaya (世田谷) plant. To ensure a reliable supply of lenses, Mamiya bought on optical company at Setagaya, Tokyo. As early as October 1945, a month after Japanese surrender, Mamiya was the first Japanese company to receive a substantial order from the Central Purchasing Office of SCAP, which allowed the company to resume full-scale production in January 1946 at new facilities in Tokyo. The company closed its doors in Tokyo in March 1945 and was relocated. By March 1944 a secondary factory was opened at Tokyo University for the manufacture and assembly of lenses. Despite the war breaking out a year after the release of the first model of the Mamiya Six, the company continued to thrive, expanding production facilities in February 1942 and again, to three times the size, in February 1944, then employing 150 staff. There were many versions in the Mamiya Six series, but it was the only Mamiya model for eight years. It was based in Tokyo, Hongo, and its first camera was the Mamiya Six, a 6×6 folder with coupled rangefinder that was focused by moving the film plane. Mamiya was founded in May 1940 by Mamiya Seiichi (間宮精一) and Sugawara Tsunejirō (菅原恒二郎) as Mamiya Kōki Seisakusho (マミヤ光機製作所, Mamiya Optical Works). Image by Dirk HR Spennemann ( Image rights)